The Original Performance Cart, 2014+
concieved as a kind of cultural vomitting, a twining homage to
Deleuze and Pope L, this cart wandered the streets of NYC for
years, one day pushing the length of Manhattan's Broadway from
Brooklyn to the Bronx. Later itterations marched from Little Haiti
to Miami Beach, and from Cougar Mountain to Seattle's Pioneer
Square. Below: excerpts from a push to Maria Hernandez Park during
the eclipse.
Some Theme's May
Include:
Ⓐbject-Oriented Ontology, The Idiot Hero, Sisyphus, Otherness
Totem,
Semiotic Anomaly, The In-Between, Performance-Cart, Garbage,
Industrial
Capital, Trash Animalia, Absurdity of the Western Individual,
(Fragility/Nudity/Pornography), Identity Flux, Emergent
Compulsive,
Body as Shambling Community, 'Pushing' [Homeless], Nomadic
Architecture
Eyesore, Post-Freudian Sexuality, The Gigantic Snail, Inverted
Metaphoric Ensemble, The Nothing Box, Constructivist Archive
(prefix/suffix, in/out), Anti- Advertising Joke, Pathetic
Psychogeographic Topographittis, Nihilist Silence, The
Contempoorary
'Fake', etc.
the most recent itteration of this Style of OG cart was in Paris 2024 dovetailing with Nil. Unique among all carts, this one had only two wheels, worked like a wheelbarrow, and could be mounted a a backpack in emergencies.
Portal Into The Void: After a surprise eviction
following
the Lost Abjects: Theory of Garbage
expo, a majority of excesses were loaded onto two carts, one
filled
completely with urine, and pushed around the streets of New York
City
for several weeks until they were seized and destroyed at great
loss.
Supplies were distributed in parks and on streetcorners to
ousider
metalurgs and homeless fascionistas. Litres of liquid were sold
to
adoring goblins.
PORTAL INTO THE VOID/ THe Artist's Urine, 2016
The Extinction Cart, 2019
Covered in the corpses of dead animals (mostly toads and octopi),
this cart wove through NYC
